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Descriere
Cinema M6 Center – Dynamic and natural home cinema experience
The Cinema M6 was only created for one single task: Providing the best possible cinema experience in home theaters. To achieve this high goal, the M6 was developed with various special technologies. The Quad-Tweeter array provides high sound pressure level and optimized dispersion at the same time. Furthermore, it creates never before heard crystal clear sound to achieve maximum fidelity. Two mid-bass drivers in a D’Appolito arrangement provide the highest dynamics and perfect precision. These two systems combine in a closed box to produce astonishing accuracy, maximum power and dynamics. Discover this unique home cinema speaker and enjoy its detailed, rich and dynamic sound.
Drivers
For the Cinema M6, we developed a Quattro tweeter arrangement to provide a very high maximum sound pressure level, high efficiency and minimal distortion. In addition, a perfectly even dispersion pattern is achieved for several listeners by using a controlled bundling of drivers that minimize the negative influences of the room. To achieve optimum bundling for home cinema sound in the lower mid-range, the two mid-bass drivers are arranged according to the D’Appolito principle. Thus, the M6 sounds crystal clear, yielding great precision and extremely high dynamics.
Cabinet
Strong HDF walls ensure maximum stability with small dimensions and optimum internal volume for the chassis. The trapezoidal shape reduces internal resonances extremely effectively and provides a timeless look. The baffle of the M6 is each angled at 7.5° toward the center of the room. This angling provides the advantage that the M6 is perfectly aimed at the listener when mounted on the wall. The Cinema M6 has countersunk threads for mounting the Cinema using the Flushmount Kit or alternatively use the available matching Cinema Floorstand that positions the speaker at the right height for the listening audience.
Surface
For the surface of the Cinema M6 we used a special anti-reflection coating. This matte black anti-reflective polyurethane paint is thereby applied in 8 layers. Afterwards, an ornate polishing ensures a perfect and very appealing overall finish. Thus, disturbing light reflections on the surface of the speaker can be reduced to a minimum when using a projector.
Terminal
The high quality rear terminal of Cinema M6 is designed for the possible use of bi-wiring and bi-amping. The connectors are gold-plated to minimize the resistance and thus ensure the best signal transmission. The smooth-running and extremely stable screw terminals allow a secure fit and optimum connection for your bare wire or your banana plug connection.
Front Cover
The front grill of the Cinema M6 attaches using a magnetic mount. Its black acoustic material is opaque but nevertheless is completely transparent to sound. It protects the drivers from potential damage. The magnetic logo can be mounted in several places on the grill or the speaker enclosure to provide maximum flexibility for the user and to enhance the speaker’s overall visual appeal.
Further Information
Multi-Tweeter Array
The tweeters used in both M6 and S5 have a very low distortion. The 1 inch domes makes a perfect match for the midrange / woofer driver. M6 Four tweeters gives even more high power handling, higher sensitivity and therefore also even lower distortion. The Quattro tweeter also helps to control the spreading perfectly both in tweeter range and in the midrange. It gives an optimized vertical directivity that reduces floor and sealing reflections and a controlled dispersion in horizontal direction. It’s a controlled directivity but without a „beaming” effect. The Quattro array also has the advantage of avoiding early reflections from side walls. This is also one of the reasons how the sound can be so clean, even at very loud volumes. They’re made of Japanese silk strengthened by a polymer coat. The use of Neodymium magnets as the power house and copper shorting rings ensures an almost perfect magnetic field for demanding applications. The rear chamber is tuned to a very low resonance, and also made in die cast aluminium. All this gives a soft clipping character that provides a lot of headroom for undistorted sound at extreme levels. The tweeters are kept cool by a 9 mm thick aluminium baffle for increased power handling On top of this, using two tweeters results in even more power handling, a very high sensitivity and a very clean low distorted sound. The tweeter array gets an increased capacity in the same way as when using more than one piston in an engine. This makes it possible for the tweeters to go all the way down to impressive 1,2 kHz which completely removes the phase problem most speakers have in the sensitive hearing range between 2-6 kHz. The combination of high sound pressure capacity and very low distortion gives a huge range between the lowest and the highest sound pressure which results in an incredibly dynamic sound. Another benefit of multi tweeters is a perfectly balanced directivity over the whole frequency range. This ensures a wide homogeneous sound field which is extremely important in a multi-seat cinema set up, but it is also an advantage in a one seat set up.
Midrange Woofers
The midrange woofers used in the M6, S5 and the S2 utilize cones comprised of a very strong, long fibre pulp blend of material treated with a specialized coating compound which offers maximum strength and rigidity while maintaining minimum mass. The optimized combination of cone angle, dust cap diameter and geometry provides a near perfect piston emulation, maximum cone area efficiency, and controlled high velocity characteristics in both the inward and outward directions. For the M6, the midrange and woofer’s two 5¼ inch drivers are used in a MTM (midrange, tweeter & midrange) system which gives a controlled dispersion in the vertical axis that improves the sound quality through higher sensitivity and producing much lower distortion. The driver is adapted to be able to handle high power due to its strong magnet and aluminium shorting ring. The long fibre pulp cone has a very high sensitivity with soft clipping characteristics which provides further headroom for undistorted sound at extreme levels. The low (1,2KHz) crossover point hand-over from the tweeter has several advantages.
Crossover
When we developed the M6 and S5, a great deal of effort was put into the crossover filter and this is actually the most important aspect of a speaker. All passive components are of the highest possible quality to minimize the influence on the signal. We use an optimal selection of air wound coils (with low internal resistance) and coils with steel cores (these accept a high level of magnetic saturation), MKP capacitors and low induction resistors. The steepness of the filter is of the 4th order. The filter has an unusually low crossover point between the tweeter and midrange woofer which has several advantages. The crossover point is far from the mid frequency breakup point and because of this, it plays with less distortion and with an improved D’Appolito effect.
Flushmount Kit (optional)
Our speakers can be mounted to the wall with either a VESA 75 mount using the built-in keyhole hangers or our flush mount kit for a sturdier mounting (or to mount horizontally). This consists of a plate that fits on the back of the speakers and a corresponding plate that goes on the wall. The two plates easily interlock and leave enough room (15 mm) for the wires to connect as the speaker hangs on the wall.
Construction Type: 2,5-way hybrid Bookshelf-Speaker
Tweeter driver: 4 x 24 mm (1) dome tweeter (Polymer reinforced Japanese silk in Quattro-Tweeter array)
Midrange / Woofer driver: 2 x 150 mm (5 ¼) cone driver (Mixed coated long fiber pulp material in D’Appolito arrangement)
Frequency Response: 58 – 30.000 Hz (+/- 3dB)
Nominal impedance: 4 – 8 Ohm
Sensitivity: 89 dB (2,83 V/1 m)
Power Handling: 300 W Short term IEC 268-5, 150 W Long term IEC 268-5
Cover: magnetic, black
Connections: gold plated, Bi-wiring / Bi-amp ready
Dimensions: 230 x 440 x 220 mm (W x H x D) / 9.1 x 17.3 x 8.7
Weight: 9 kg / 19.8 lb
Color: Matte black 8 layers anti-reflection paint, gloss black baffle
Wall mounting: Keyhole mounting slots / Cinema Flushmount Kit (optional)
Quantity: 1 pair
Crossover frequencies: 1.200 Hz / 3.000 Hz
Filter steepness: Midrange / Woofer driver: 24 dB, Tweeter: 24 dB
Informații suplimentare
Producător | |
---|---|
Disponibilitate | La Comandă – Produsul se aduce la comandă in 3-6 zile! |
Unitate Pret | Bucata |
Explicatii in ceea ce priveste rodajul echipamentelor, cat si al cablurilor, asezarea optima a echipamentelor in camera de auditie, importanta acusticii camerei si nu in ultimul rand sistemul de alimentare a intregului echipament:
PENTRU BOXE:
- Pentru performante optime este necesara pozitionarea boxelor la o distanta de minim 30-40cm de peretele din spate pentru boxele cu bass-reflex in spate, pentru cele cu bass-reflex in fata, recomandam pozitionarea la o distanta de 10-20cm fata de peretele din spate, dar totodata la o distanta de cel putin 50cm fata de peretii laterali. Tineti cont de faptul ca orice piesa de mobilier din incapere, joaca rol de absorbtie fonica, dar si de difuzie fonica daca acestea din urma sunt din materiale ceramica sau oglinzi, geamuri sau alt material reflectorizant. In acest sens, gasiti pe blogul nostru, multiple articole care va pot ajuta
- Boxele vor ajunge sa functioneze in parametrii recomandati de producator, dupa minim 50 de ore (ideal 100 ore) de functionare la volum mediu. In aceasta perioada de timp, de “rodaj a boxelor”, sunetul va fi la inceput mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce boxele vor functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate. Exista boxe care necesita un „rodaj” mai amplu de minim 300 de ore mai ales in cazul celor care au difuzoare de kevlar, carbon sau alte materiale de acest tip. Boxele care se „rodeaza” cel mai repede sunt cele care au difuzoare de celuloza.
Imbunatatirea sunetului unui sistem audio stereo (Partea I)
Imbunatatirea sunetului unui sistem audio stereo – (Partea II)
PENTRU AMPLIFICATOARE, DAC-URI, PREAMPLIFICATOARE, RECEIVER STEREO & HOME CINEMA, SURSE DIGITALE AUDIO-VIDEO:
- Pentru performante optime este necesar „rodarea” echipamentului, In functie de complexitatea componentelor din aparatul dumneavoastra acesta poate dura intre 30-200 ore.
- Rodajul se face la volum minim, fiind astfel suficient faptul ca acesta este alimentat corect conform manualului de utilizare la 220-230 Volti si trece semnal audio sau video dupa caz prin el.
- Echipamentul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce echipamentul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.
- In ceea ce priveste echipamentul video precum videoproiector, TV, media player, blueray player, necesita un "rodaj" de cel putin 50 de ore. Lipsa acestuia nu va poate oferi maxim de performanta. "Rodajul" se efectueaza prin simpla utilizare a acestuia, intr-un mod conform specificatiilor mentionate de producator.
PENTRU CABLURI:
- Pentru performante optime este necesara „rodarea” cablurilor, In functie de complexitatea conductorului folosit, cat si geometriei acestuia, „rodajul” poate dura intre 30-100 ore.
- Rodajul se face la volum minim, fiind astfel suficient faptul ca va trece semnal audio sau video dupa caz prin el.
- Cablul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, pe masura ce cablul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.
Articole indrumatoare:
Tratamentul Acustic si Izolarea Fonica
Pentru un sistem echilibrat, trebuie tinut cont pe langa asezarea corecta a boxelor in incapere, al echipamentelor, sistemul de alimentare al acestora, tinand cont de instalatia electrica a locatiei.
Pentru detalii privind aceste aspecte de rodaj si nu numai, va rugam sa ne consultati!
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