DAC RME ADI-2 DAC FS

6.399 lei / Bucata

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DAC RME ADI-2 DAC FS

6.399 lei / Bucata

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    Descriere

    Balanced DAC Headphone Amplifier ES9028Q2M 32bit 768kHz DSD256 Black

    The RME ADI-2 DAC FS includes an improved SteadyClock, a perfectly adjusted analog circuit, a remote control, an Extreme Power headphone output and a special IEM output. This model incorporates everything that has made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with bass, treble, loudness, 5-band parametric equalizer, crossfeed and much more. Its ease of use and incredible design make the ADI-2 DAC a central room for listening at home or for reference reading in the studio.

    Connectivity & Features

    In 2016, RME unveiled the ADI-2 Pro. With many innovative and extremely practical ideas and features, this model has transformed the digital-to-analog conversion market into a true reference. Equipped with two Extreme Power headphone outputs, it has also found its place in the HiFi, earning numerous accolades for its sound and technical prowess as well as its flexibility.

    In order to address private individuals who are lovers of high fidelity, RME offers a modified version of the ADI-2 Pro, now incorporating features adapted for HiFi listening and simplified operation: the ADI-2 DAC. Based on the technologies, concepts and features of the ADI-2 Pro, this DAC version focuses on high quality digital-to-analog conversion.

    The DAC

    Embedded in a compact 19 format body, this little gem integrates high-end electronic components, offering seamless conversion from SPDIF Coaxial, SPDIF Optical (ADAT compatible) and USB to RCA, XLR, Jack TRS and Mini-TRS.

    Extremely versatile, the ADI-2 DAC offers balanced and unbalanced inputs/outputs, Extreme Power headphone output, very low noise IEM output, SteadyClock FS, 4-stage output level hardware control, signal processing via DSP, external power supply, wide USB compatibility and support for sampling rates up to PCM 32bit 768kHz, DSD256 and Direct DSD. The SPDIF input signals can be recorded via USB and as expected from RME, the DAC is a true 2-channel Full Duplex audio interface.

    Improving DA

    For the ADI-2 DAC V2, RME engineers have been working to improve the analog output stage of the DAC to provide an even higher level of performance. More relays, a modified dual symmetrical attenuator circuit and an additional AOP in buffer allow a reduction in noise and THD. Hardware output levels at +13dBu, +7dBu, +1dBu and -5dBu have also been added.

    Super low noise for IEM lovers

    The booming headphone market has led to many improvements not only in this type of product but also in in-ear headphones (IEMs), bringing them back to the forefront for audiophiles and lovers of quality sound. Modern IEMs offer high quality sound reproduction that can rival many headphones, making them an excellent alternative for listening on the move or at home.

    However, modern EMPs are also extremely sensitive and operate at very low voltages. As a result, they tend to recover the noise from the reader, DAC or amplifier. When RME developed its Extreme Power headphone stage, the noise level was lowered as low as possible to overcome this problem.

    To this, RME adds a special IEM output on the front panel of the ADI-2 DAC. This provides a 10dB lower ground noise level than the Extreme Power output with an output impedance close to 0Ω and an incredibly low THD for exceptional listening.

    Lights out !

    In the case of a studio device, the lights on the device are constantly on, but this can quickly become annoying in a living room. All lights and the ADI-2 DAC display will turn off when the AutoDark function is activated and no action is performed for 10 seconds. Touching any button on the device or remote control will turn the lights and display on again.

    Special features

    A better remote

    The ADI-2 DAC comes with a rugged and convenient remote control that will allow you to easily control the unit from your sofa. In addition, it is configured so as not to interfere with your other AV devices.

    This remote control allows you to turn the DAC on and off, adjust the volume level, select an input and whether or not to activate the Mute mode, and also includes 4 programmable buttons that can be assigned to 20 different functions for total flexibility.

    SteadyClock FS

    The ADI-2 DAC incorporates a SteadyClock FS, ensuring that the use of the internal clock will provide the same sound as an external clock. The SteadyClock effectively rejects jitter and supports all digital interface formats in an exemplary way.

    Thus, the main goal of the SteadyClock FS is to reduce jitter to an incredibly low level by improving its analog PLL circuitry and linking Direct Digital Synthesis and PLL to a low phase noise quartz crystal. The self-induced jitter through the D/A conversion thus reaches levels normally only possible in master quartz clock mode, while the SteadyClock operates in PLL mode. The low phase noise oscillator driving the circuit reaches a jitter of less than a picosecond (ps), an area called a femtosecond.

    Product type Balanced DAC
    Headphone amplfiier
    DAC Chip ESS ES9028Q2M
    Inputs 1x SPDIF Coaxial (according to IEC 60958, compatible with AES/EBU [AES3-1992])
    1x SPDIF Optical Toslink (according to IEC 60958, compatible with ADAT)
    1x USB-B
    Outputs 1x Balanced XLR
    1x Single-ended RCA
    1x Single-ended Jack 6.35mm TRS headphone output
    1x IEM Jack 3.5mm output
    Supported sampling rates PCM up to 32bit 768kHz
    DSD up to DSD256
    DIGITAL INPUTS
    Jitter when synced to input signal < 1ns
    Lock range 28kHz – 200kHz
    Jitter suppression > 50dB (2.4kHz)
    Coaxial input sensitivity < 0.3Vpp
    Horloge interne
    Effective influence of the clock jitter on the digital / analog conversion Near 0
    Supported sampling rates for external clocks 28kHz to 200kHz
    ANALOG OUTPUTS
    XLR Adjustable output level (@ 0dBFS) +19dBu
    +13dBu
    +7dBu
    +1dBu
    SNR @ +7/+13/+19 dBu 120dB RMS unweighted, 123dBa
    SNR @ +1 dBu 117dB RMS unweighted, 120dBa
    Frequency response @ 44.1kHz, -0.1dB : 0Hz – 20.2kHz
    @ 96kHz, -0.5dB : 0Hz – 44.9kHz

    Informații suplimentare

    Producător

    Disponibilitate

    La Comandă – Produsul se aduce la comandă in 3-6 zile!

    Unitate Pret

    Bucata

    Explicatii in ceea ce priveste rodajul echipamentelor, cat si al cablurilor, asezarea optima a echipamentelor in camera de auditie, importanta acusticii camerei si nu in ultimul rand sistemul de alimentare a intregului echipament:

    PENTRU BOXE:

    - Pentru performante optime este necesara pozitionarea boxelor la o distanta de minim 30-40cm de peretele din spate pentru boxele cu bass-reflex in spate, pentru cele cu bass-reflex in fata, recomandam pozitionarea la o distanta de 10-20cm fata de peretele din spate, dar totodata la o distanta de cel putin 50cm fata de peretii laterali. Tineti cont de faptul ca orice piesa de mobilier din incapere, joaca rol de absorbtie fonica, dar si de difuzie fonica daca acestea din urma sunt din materiale ceramica sau oglinzi, geamuri sau alt material reflectorizant. In acest sens, gasiti pe blogul nostru, multiple articole care va pot ajuta

    - Boxele vor ajunge sa functioneze in parametrii recomandati de producator, dupa minim 50 de ore (ideal 100 ore) de functionare la volum mediu. In aceasta perioada de timp, de “rodaj a boxelor”, sunetul va fi la inceput mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce boxele vor functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate. Exista boxe care necesita un „rodaj” mai amplu de minim 300 de ore mai ales in cazul celor care au difuzoare de kevlar, carbon sau alte materiale de acest tip. Boxele care se „rodeaza” cel mai repede sunt cele care au difuzoare de celuloza.

     

     

    Imbunatatirea sunetului unui sistem audio stereo (Partea I)

    Imbunatatirea sunetului unui sistem audio stereo – (Partea II)

     

    PENTRU AMPLIFICATOARE, DAC-URI, PREAMPLIFICATOARE, RECEIVER STEREO & HOME CINEMA, SURSE DIGITALE AUDIO-VIDEO:

    - Pentru performante optime este necesar „rodarea” echipamentului, In functie de complexitatea componentelor din aparatul dumneavoastra acesta poate dura intre 30-200 ore.

    - Rodajul se face la volum minim, fiind astfel suficient faptul ca acesta este alimentat corect conform manualului de utilizare la 220-230 Volti si trece semnal audio sau video dupa caz prin el.

    - Echipamentul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce echipamentul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.

    - In ceea ce priveste echipamentul video precum videoproiector, TV, media player, blueray player, necesita un "rodaj" de cel putin 50 de ore. Lipsa acestuia nu va poate oferi maxim de performanta. "Rodajul" se efectueaza prin simpla utilizare a acestuia, intr-un mod conform specificatiilor mentionate de producator.

     

    PENTRU CABLURI:

    - Pentru performante optime este necesara „rodarea” cablurilor, In functie de complexitatea conductorului folosit, cat si geometriei acestuia, „rodajul” poate dura intre 30-100 ore.

    - Rodajul se face la volum minim, fiind astfel suficient faptul ca va trece semnal audio sau video dupa caz prin el.

    - Cablul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, pe masura ce cablul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.

     

     

    Articole indrumatoare:

    Dictionar Audiofil

    Tratamentul Acustic si Izolarea Fonica

    Pentru un sistem echilibrat, trebuie tinut cont pe langa asezarea corecta a boxelor in incapere, al echipamentelor, sistemul de alimentare al acestora, tinand cont de instalatia electrica a locatiei.

    Pentru detalii privind aceste aspecte de rodaj si nu numai, va rugam sa ne consultati!

     

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