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Preamplificator Stereo Musical Fidelity M8S Pre
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plată cu cadrul Edenred în magazin
plăți cu Cardurile și Tichetele Sodexo- Descriere
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Descriere
The M8s is a pre-amplifier without limits. From its performance to its connectivity, via quality fit and finish, the M8s makes a superlative centrepiece for almost any system.
The M8s has a wide array of inputs including a low noise MM/MC phono stage, 2 balanced inputs (1 with home theatre bypass option), 3 line inputs (one with home theatre bypass option) and a fully configured tape in/out loop.
The M8s Pre-amp has very high input overload margins. This means that it has a completely stress free sound. The outputs are very low impedance and high current so that it can drive virtually any power amp in existence through any length cable (balanced or single ended).
Technical measurements are testament to the M8s’s exceptional engineering: from ultra-low distortion to virtually perfect frequency response, and ultra low noise.
The M8s’s will drive any power amplifier over any length of cable. Although, obviously, it’s perfect partner is a pair of M8s-700m monobloc amplifiers.
Listening to the M8s Pre with the M8s-700m monobloc is quite an experience. The music is reproduced with no stress, no colouration and sense of relaxation and transparency that are music to the ears and balm to the soul.
M8s Pre-amplifier In Brief
- Genuinely fully balanced preamp
- Eight versatile inputs − 1 XLR Balanced, switchable MM/MC Phono, CD, Tuner, Aux 1, Aux 2, Tape
- Single ended and balanced outputs as well as a fixed output for tape record
- Home theatre bypass available in both single ended and balanced inputs
- Outstanding cutting edge performance
- Amazing load driving ability, will easily drive any power amplifier with any cable of almost any length
- Excellent design, he-man build quality
Design + Build
The first exceptional element of the M8s pre-amplifier is its truly fully balanced design. Most rival pre-amps making similar claims are actually single-ended models with a balanced input and output; this is not the same as being fully balanced throughout, which the M8s offers.
The quality continues with the M8s pre-amplifier's pure Class A circuitry, implemented in subtle and refined configurations.
The M8s is designed with very high input overload margins. High input impedance plus low output impedance puts the M8s in the position of itself being easy to drive, while having the capability to drive any power amp.
Let's run through those input options in more detail. The phono stage is a low-noise MM/MC design, with very accurate RIAA, low distortion and wide overload margin − all making the M8s a great turntable partner.
Two fully balanced inputs, three line-level inputs and a fully configured tape loop (input and output) provide plenty of flexibility for further sources, both traditional and modern.
Home theatre bypass options are available on one set of both balanced and line-level inputs, making it easy to integrate the M8s into a one-stop music and movie system.
The M8s's high-tech design translates into an exceptional performance that can be scientifically measured. Technical analysis shows the M8s has miniscule distortion levels (less than 0.003%), extremely low noise (-117dbA), wide bandwidth (-3dB 75kHz) and remarkable frequency response − ruler-flat within the audio band. Stereo separation is 96dB at 1KHz.
Finally, the M8s pre-amp also features an exceptional power supply. Each channel has a 350VA, silent-drive mains transformer, with each stage of each channel featuring its own regulation circuitry for optimised performance and isolation. Current delivery is maximised due to the power supply's ultra-low impedance design.
Further Reading
Reviews
Read the Audio Test review.
Also read the Audio Appraisal review.
Pre-Amplifier
THD(+ noise) – single ended: <0.005%
THD(+ noise) – XLR Balanced: <0.004%
Signal to Noise Ratio: >118dB ‘A′-weighted
Frequency Response: +0, −1dB, 5Hz to 100 kHz
Inputs
Inputs 2 x XLR balanced line level (1 with home theatre bypass)
5 x RCA / phono line level (1 with home theatre bypass)
Trigger in
Outputs
1 x RCA pre out
1 x XLR balanced pre out
1 x RCA fixed out
Trigger out
General
Dimensions – WxHxD (mm): 440 x 162 x 400
Weight (unpacked / packed): 17 kg / 23 kg
Informații suplimentare
| Producător | |
|---|---|
| Disponibilitate | În Stoc Furnizor * Verificati disponibilitatea produsului! |
| Unitate Pret | Bucata |
PENTRU BOXE:
- Pentru performante optime este necesara pozitionarea boxelor la o distanta de minim 30-40cm de peretele din spate pentru boxele cu bass-reflex in spate, pentru cele cu bass-reflex in fata, recomandam pozitionarea la o distanta de 10-20cm fata de peretele din spate.
- Boxele vor ajunge sa functioneze in parametrii recomandati de producator, dupa minim 50 de ore (ideal 100 ore) de functionare la volum mediu. In aceasta perioada de timp, de “rodaj a boxelor”, sunetul va fi la inceput ceva mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce boxele vor functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate. Exista boxe care necesita un „rodaj” mai amplu de minim 300 de ore mai ales in cazul celor care au difuzoare de kevlar, carbon sau alte materiale de acest tip. Boxele care se „rodeaza” cel mai repede sunt cele care au difuzoare de celuloza.
PENTRU AMPLIFICATOARE, DAC-URI, PREAMPLIFICATOARE, RECEIVER STEREO & HOME CINEMA, SURSE DIGITALE AUDIO-VIDEO:
- Pentru performante optime este necesar „rodarea” echipamentului, In functie de complexitatea componentelor din aparatul dumneavoastra acesta poate dura intre 30-200 ore.
- Rodajul se face la volum minim, fiind astfel suficient faptul ca acesta este alimentat corect conform manualului de utilizare la 220-230 Volti si trece semnal audio sau video dupa caz prin el.
- Echipamentul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, bass-ul nu va fi inca controlat, inaltele rigide iar vocile usor retinute, pe masura ce echipamentul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.
PENTRU CABLURI:
- Pentru performante optime este necesara „rodarea” cablurilor, In functie de complexitatea conductorului folosit, cat si geometriei acestuia, „rodajul” poate dura intre 30-100 ore.
- Rodajul se face la volum minim, fiind astfel suficient faptul ca va trece semnal audio sau video dupa caz prin el.
- Cablul supus „rodajului” va ajunge sa functioneze in parametrii recomandati de producator, dupa perioada mai sus mentionata. In aceasta perioada de timp, de “rodaj”, sunetul va fi la inceput ceva mai artificial, pe masura ce cablul va functiona, veti remarca cum bas-ul devine mai controlat, mai prezent si mai voluminos, vocile si sunetele medii devin naturale si mai echilibrate, iar inaltele devin rafinate si detaliate.
Pentru detalii privind aceste aspecte de rodaj si nu numai, va rugam sa ne consultati!
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